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The European Desktop "Exhibition guide"

Oldenburg, Claes; Van Bruggen, Coosje

The European Desktop exhibition has been realised through the generosity of Claes Oldenburg, who determined to re-explore a work that he and his late wife, Coosje van Bruggen, had made together in 1990.

Van Bruggen had noticed a headline in the International Herald Tribune: "Undoing Yalta, 45 Years Later, and a New Europe" and this unqualified optimism became the spur for The European Desktop, a war-torn landscape of desktop accoutrements. The work is comprised of a number of sculptures-a shattered desk pad, a quill, an ink pot, a blotter, and postal scales-all of which appear to have fallen from the sky and are now left languishing as forgotten victims of a previous time. It is a play on historical skirmishes for national boundaries and the displacement of European cultures. Oldenburg and van Bruggen seem to declare that time is never passive and succeed in turning memories into relics. The drama, political or otherwise, has already been unpacked and is slowly fading away; only a desolate wasteland of abandoned objects remains.

The European Desktop is the third and final work in a series of theatrical installations that grew out of Oldenburg and van Bruggen's performance with architect Frank Gehry for the 1985 Venice Biennale, Il Corso del Coltello. The first two works in this series were The Haunted House and From the Entropic Library. All three works use history as a source material and are conceptually situated in a peculiarly European milieu.

Oldenburg cleverly recognised the significance of re-presenting this body of work now, under the shadow of the recently enforced Treaty of Lisbon. The prophetic spirit of The European Desktop now seems uncanny.

This is Oldenburg's return to Spain, building on his and Coosje's impressive presentations at the Guggenheim Museum in Bilbao; exhibition of Knife Ship I-the large prop from the Coltello performance which was installed at Palacio de Cristal in Madrid during the summer of 1986; solo exhibition at IVAM in Valencia; and the Joan Miró Foundation in Barcelona (2007). The European Desktop will take place at Ivorypress Art + Books C/ Comandante Zorita 48, Madrid, from February the 16th to April the 17th, 2010. The exhibition catalogue, to be published in 2010
by Ivorypress in collaboration with PaceWildenstein and the Oldenburg van Bruggen Foundation, includes texts by Richard Cork and Ida Gianelli.

In making this exhibition we have realised how powerfully Claes Oldenburg's practice was strengthened by the three decades of collaboration with Coosje van Bruggen. Coosje is still very much alive in every decision, and The European Desktop is a vital testimony to the dense, shared, lexicon of ideas that informed all of their conversations and established the truest of artistic partnerships.

It is our privilege to collaborate with Claes Oldenburg, a giant of contemporary sculpture, whose innovation continues to know no bounds.


ELENA OCHOA FOSTER
FOUNDER AND CEO OF IVORYPRESS

JAMES LINDON
DIRECTOR OF PACEWILDENSTEIN

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Paul McCarthy: Tokyo Santa
McCarthy, Paul

Trust us, you don't want this Santa coming down your chimney. Through a series of 75 crisp images, mostly in brilliant reds, Tokyo Santa documents Paul McCarthy's 1996 performance at Tomio Kayama Gallery. Santa is decidedly naughty--he shows his private parts, and smears ketchup and paint everywhere. Everywhere. Also included are 10 drawings that Santa made during his performance; they share a palette of browns, reds, black, and greens. With its large format, and cheerful red-and-green palette, this oversized book makes a wonderful holiday gift--but not for the kids.

Architecture and design
Exit 37. Arquitectura II
VVAA

Editorial: Olivares, Rosa / Del tamaño de una fotografía
Ensayo: Marchán Fiz, Simón / La percepción estética de las arquitecturas a través de la fotografía
Ensayo: Colomina, Beatriz / Los medios de comunicación como arquitectura
Dossier: Ballester, José Manuel / El poder de la arquitectura
Dossier: Burgin, Victor / Estar en un lugar y ver otro
Dossier: Chaubin, Frédéric / El silencio de la piedra
Dossier: Haraldsson, Arni / La arquitectura nos mira

Photography
Memory Traces
Markerink, Cary



Memory Traces is a recent publication, in which I relate to notions about landscape, culture, history and memory. Memory Traces is an unconventional photo-book, composed to be an experience, in which a selection of landscape photographs are combined with a multi-layered range of texts including excerpts from travelogues, ‘written photographs' and a short story situated in the art-world which, among other things, deals with 'The Artification of Photography' and ‘The End of Silver-based Photography'. In a second separate booklet a Chernobyl family album of found negatives has been reproduced.

The large format photographs were made in Sarajevo; Hiroshima and Nagasaki; Berlin, Bitterfeld-Wolfen and Ronneburg; Bikini Island and Nam Island; Chernobyl; Khe San and My Lai.

Ivory Press
The European Desktop "Exhibition guide"
Oldenburg, Claes; Van Bruggen, Coosje

The European Desktop exhibition has been realised through the generosity of Claes Oldenburg, who determined to re-explore a work that he and his late wife, Coosje van Bruggen, had made together in 1990.

Van Bruggen had noticed a headline in the International Herald Tribune: "Undoing Yalta, 45 Years Later, and a New Europe" and this unqualified optimism became the spur for The European Desktop, a war-torn landscape of desktop accoutrements. The work is comprised of a number of sculptures-a shattered desk pad, a quill, an ink pot, a blotter, and postal scales-all of which appear to have fallen from the sky and are now left languishing as forgotten victims of a previous time. It is a play on historical skirmishes for national boundaries and the displacement of European cultures. Oldenburg and van Bruggen seem to declare that time is never passive and succeed in turning memories into relics. The drama, political or otherwise, has already been unpacked and is slowly fading away; only a desolate wasteland of abandoned objects remains.

The European Desktop is the third and final work in a series of theatrical installations that grew out of Oldenburg and van Bruggen's performance with architect Frank Gehry for the 1985 Venice Biennale, Il Corso del Coltello. The first two works in this series were The Haunted House and From the Entropic Library. All three works use history as a source material and are conceptually situated in a peculiarly European milieu.

Oldenburg cleverly recognised the significance of re-presenting this body of work now, under the shadow of the recently enforced Treaty of Lisbon. The prophetic spirit of The European Desktop now seems uncanny.

This is Oldenburg's return to Spain, building on his and Coosje's impressive presentations at the Guggenheim Museum in Bilbao; exhibition of Knife Ship I-the large prop from the Coltello performance which was installed at Palacio de Cristal in Madrid during the summer of 1986; solo exhibition at IVAM in Valencia; and the Joan Miró Foundation in Barcelona (2007). The European Desktop will take place at Ivorypress Art + Books C/ Comandante Zorita 48, Madrid, from February the 16th to April the 17th, 2010. The exhibition catalogue, to be published in 2010
by Ivorypress in collaboration with PaceWildenstein and the Oldenburg van Bruggen Foundation, includes texts by Richard Cork and Ida Gianelli.

In making this exhibition we have realised how powerfully Claes Oldenburg's practice was strengthened by the three decades of collaboration with Coosje van Bruggen. Coosje is still very much alive in every decision, and The European Desktop is a vital testimony to the dense, shared, lexicon of ideas that informed all of their conversations and established the truest of artistic partnerships.

It is our privilege to collaborate with Claes Oldenburg, a giant of contemporary sculpture, whose innovation continues to know no bounds.


ELENA OCHOA FOSTER
FOUNDER AND CEO OF IVORYPRESS

JAMES LINDON
DIRECTOR OF PACEWILDENSTEIN

Digital
Annie Leibovitz: una vida a través de la cámara
Leibovitz, Barbara; Leibovitz, Annie

Documental sobre una de las mejores y más famosas fotógrafas de nuestros tiempos plagado de celebridades.

Annie Leibovitz vista a través de una lente por su propia hermana, quien nos descubre la genialidad y el talento, además del arte, de esta fotógrafa publicitaria célebre en todo el mundo.